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the forefront of art criticism and theory, October focuses critical attention
on the contemporary arts and their various contexts of interpretation: film,
painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social
contexts, October addresses a broad range of readers. Original, innovative,
provocative, each issue presents the best, most current texts by and about
today's artistic, intellectual, and critical vanguard.